For David Pickard, Cambridge was about discovering new music, converting people to opera… and performing terrible shows in Edinburgh.
Getting in the swing… If it’s a challenge you’re after, the Jazz Orchestra is for you.
Whether listening, accompanying, running or just switching off, music plays a central role in Professor Deborah Prentice’s life.
Bassoonist Rachel Gough (King’s 1984) discovered a deep love for music at King’s, even if it meant the odd all-nighter.
Opera singer Gabrielle Haigh (Clare 2010) uses favourite memories to conjure emotions in her performances, and says her time at Cambridge is a rich source.
Wherever you do it, performance is proven to have benefits that last long after the final chord has rung out.
Comedian Alice Fraser (Sidney Sussex 2007) adapted to a newfound independence with opera, love songs and a turn on the banjo.
Is there any thrill like the thrill of musical theatre? We don’t think so. We talk to eight prominent Cambridge alumni about why musical theatre exerts a hold that just won’t let go.